Oxford Comparative Criticism and Translation (OCCT)
En podkast av Oxford University
39 Episoder
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Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am”
Publisert: 20.9.2014 -
OCCT event - The Point of Comparison
Publisert: 20.9.2014 -
Languages of Criticism - Translation and Comparison part one
Publisert: 20.9.2014 -
Languages of Criticism - The Practice of Commentary
Publisert: 20.9.2014 -
Languages of Criticism - Creatively Critical
Publisert: 20.9.2014 -
OCCT event - The Creativity of Criticism part one
Publisert: 20.9.2014 -
Philosophy of Criticism - Creativity as a Virtue of Character
Publisert: 20.9.2014 -
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”
Publisert: 20.9.2014 -
Philosophy of Criticism - Justifying Canonic Value
Publisert: 20.9.2014 -
Philosophy of Criticism - Creativity, Culture and Tradition
Publisert: 20.9.2014 -
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics
Publisert: 20.9.2014 -
Intercultural Literary Practices - Theorising Interculturality
Publisert: 20.9.2014 -
Translators and Writers - Translation and Fictionality
Publisert: 20.9.2014 -
Translators and Writers - Poetry and the Act of Translation
Publisert: 20.9.2014 -
Round Table: The Future of Comparative Criticism
Publisert: 22.10.2013 -
Tropes of Comparison
Publisert: 22.10.2013 -
Comparative Literature, Britain and Empire
Publisert: 22.10.2013 -
Shaped by the Classics?
Publisert: 22.10.2013 -
Literature in the World
Publisert: 22.10.2013
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
