Oxford Comparative Criticism and Translation (OCCT)
En podkast av Oxford University
39 Episoder
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Translation as Afterlife
Publisert: 24.2.2017 -
“Forgotten Europe”: Translating Marginalised Languages
Publisert: 10.2.2017 -
Between Languages: Working in and out on Translation
Publisert: 30.11.2016 -
Literature Beyond Literary Studies: Intermediality and Interdisciplinarity
Publisert: 1.11.2016 -
Comparative Criticism: What Is It and Why Do We Do It?
Publisert: 19.10.2016 -
Intercultural Literary Practices
Publisert: 9.11.2015 -
Fiction and Other Minds
Publisert: 9.11.2015 -
Extremist Translation and the Deformation Zone
Publisert: 24.7.2015 -
Lunchtime talk with Italian journalist Antonio Armano
Publisert: 23.6.2015 -
Translation and Ekphrasis: Dante and the visual arts
Publisert: 24.2.2015 -
Intercultural Tales
Publisert: 17.2.2015 -
To the Lighthouse
Publisert: 9.2.2015 -
OCCT event - The Creativity of Criticism part four
Publisert: 19.12.2014 -
OCCT event - The Creativity of Criticism part three
Publisert: 19.12.2014 -
OCCT event - The Creativity of Criticism part two
Publisert: 19.12.2014 -
Languages of Criticism - Translation and Comparison part two
Publisert: 17.12.2014 -
Unbuttoning Catullus
Publisert: 1.12.2014 -
Other Worlding
Publisert: 14.11.2014 -
Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros
Publisert: 14.11.2014 -
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’
Publisert: 20.9.2014
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
