81 Episoder

  1. Part 1: XX. Child and Marriage

    Publisert: 13.12.2024
  2. Part 1: XXI. Voluntary Death

    Publisert: 12.12.2024
  3. Part 1: XXII. The Bestowing Virtue

    Publisert: 11.12.2024
  4. Part 2: XXIII. The Child with the Mirror

    Publisert: 10.12.2024
  5. Part 2: XXIV. In the Happy Isles

    Publisert: 9.12.2024
  6. Part 2: XXV. The Pitiful

    Publisert: 8.12.2024
  7. Part 2: XXVI. The Priests

    Publisert: 7.12.2024
  8. Part 2: XXVII. The Virtuous

    Publisert: 6.12.2024
  9. Part 2: XXVIII. The Rabble

    Publisert: 5.12.2024
  10. Part 2: XXIX. The Tarantulas

    Publisert: 4.12.2024
  11. Part 2: XXX. The Famous Wise Ones

    Publisert: 3.12.2024
  12. Part 2: XXXI. The Night-Song

    Publisert: 2.12.2024
  13. Part 2: XXXII. The Dance-Song

    Publisert: 1.12.2024
  14. Part 2: XXXIII. The Grave-Song

    Publisert: 30.11.2024
  15. Part 2: XXXIV. Self-Surpassing

    Publisert: 29.11.2024
  16. Part 2: XXXV. The Sublime Ones

    Publisert: 28.11.2024
  17. Part 2: XXXVI. The Land of Culture

    Publisert: 27.11.2024
  18. Part 2: XXXVII. Immaculate Perception

    Publisert: 26.11.2024
  19. Part 2: XXXVIII. Scholars

    Publisert: 25.11.2024
  20. Part 2: XXXIX. Poets

    Publisert: 24.11.2024

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Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche’s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Thus Spake Zarathustra is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the “eternal recurrence of the same”, the parable on the “death of God”, and the “prophecy” of the Overman, which were first introduced in The Gay Science. Described by Nietzsche himself as “the deepest ever written”, the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.

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