Get Up in the Cool
En podkast av Cameron DeWhitt - Onsdager
462 Episoder
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Episode 433: Kate Gregory and Brendan Hearn (Original Tunes, Galico Tuning, and Old Time Cello)
Publisert: 11.12.2024 -
Episode 432: Brandon Godman (Buying Violins for a Living, Groovy Fiddling, and Writing Original Tunes)
Publisert: 4.12.2024 -
Episode 431: Omar Ruiz-Lopez (with special guest Jason Krivo Flores)
Publisert: 27.11.2024 -
Episode 430: Irene Herrmann (Old Time Mandolin and Fiddle and The Harmony Sisters)
Publisert: 20.11.2024 -
Episode 429: Forrest Carroll (Old Time for Oneself)
Publisert: 13.11.2024 -
Episode 428: Sadie Gustafson-Zook (Old Time Fiddle and Songwriting)
Publisert: 6.11.2024 -
Episode 427: Morgan Harris (Alone Will Tell)
Publisert: 30.10.2024 -
Episode 426: Call Up in the Cool No. 5
Publisert: 23.10.2024 -
Episode 425: Hildaland (Louise Bichan and Ethan Setiawan)
Publisert: 16.10.2024 -
Episode 424: Bex Bee and Will Jevne (Old Growth Old Time)
Publisert: 9.10.2024 -
Episode 423: Tristan Scroggins (The Old Time 100)
Publisert: 2.10.2024 -
Episode 422: Maggie Lind (Teaching Old Time, Banjo Tunes, and Women Banjoists)
Publisert: 25.9.2024 -
Episode 421: Adam Hinkel (Black Sheep Banjos)
Publisert: 18.9.2024 -
Episode 420: Mark Olitsky (Changing as a Musician)
Publisert: 11.9.2024 -
Episode 419: Zach Meyer (Old Time in Seattle and Boston)
Publisert: 4.9.2024 -
Episode 418: Joe Z. Johnson (Black Banjo Scholar)
Publisert: 28.8.2024 -
Episode 417: Jesse Milnes (Growing Up Old Time in West Virginia)
Publisert: 21.8.2024 -
Episode 416: Sophie Wellington (Melodic Old Time Guitar)
Publisert: 14.8.2024 -
Episode 415: Scott Prouty (West Virginia Crookedness, Melvin Wine’s Birthday, and Writing Tunes)
Publisert: 7.8.2024 -
Episode 414: Justin Robinson (German Influence and Old Time Down the Mountain)
Publisert: 31.7.2024
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
